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Michael Peters

Michael Peters is a German guitarist and composer who often uses livelooping in his solo work. His popular ambient album 'Stretched Landscape #1' and his experimental sound diary album 'MY2K', containing 366 sound miniatures, both received critical acclaim from the renowned WIRE magazine.

The store sells several other solo CDs and mp3 downloads of Michael's music, as well as his first released guitar / livelooping music, on the 1984 album from the band 'Camera Obscura'. Some of his ambient synthesizer music from the same time (some of it including livelooping) is available for download.

More information, extensive samples, and videos available from www.michaelpeters.de

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Michael Peters - Impossible Music (CD)



This music is based on a strange attractor named after Igor Gumowski and Christian Mira, CERN physicists who discovered it during their research in nonlinear dynamical systems.

Starting out with an (x,y) value pair, the next value pair (xn,yn) is computed like this:
xn = a * y + p * x + 2 * sqr(x) * (1 - p) / (1 + sqr(x))
yn = -x + p * xn + 2 * sqr(xn) * (1 - p) / (1 + sqr(xn))
with constant a typically being = 1.0 and p somewhere between -1 and 1.

This process is repeated iteratively, creating more and more value pairs. Each of the value pairs can be mapped to, or drawn as, a pixel on a computer screen. The surprisingly beautiful graphical representations of these attractors seem to resemble plancton lifeforms from some mathematical ocean.

A software that I developed in 1994 could draw many subspecies of these attractors, based on variations of the original iteration formula. It also allowed for realtime manipulation of starting constants, angles, positions, colors, and so forth. Later, I added midi controls, mapping x and y values to pitch and velocity, and some more realtime controls for pitches and scales. The strange attractor software generated music now - algorithmic music, based on nonlinear dynamic systems. Because the attractor parameters could be controlled in realtime, the system could be used for interactive composing.

"Impossible Music" contains 16 recordings of live improvisations with this system. Generated midi data were played by a digital piano and a sampler usually loaded with percussion samples. Most of the improvisations were done together with Matthias Ebbinghaus (who controlled piano pedals and did the live mix).



Tracks

01 Relentless Bagatelle 2:09
02 Cowbell Burlesque 2:25
03 Invention of The Cube 2:05
04 Malfunction For Jazz-Rock Automaton 2:16
05 Etude With Headscratching Interludes 1:11
06 The Anomalous Catalogue 9:05
07 Alhambra Algebra 4:21
08 Impossible Is Nothing 1:38
09 Beguine Adrenaline 2:06
10 Serious Clusters 0:58
11 The Harder You Blow 3:24
12 Arthropod Arena 1:28
13 Woodenfall 6:43
14 The Black Edge 0:56
15 Guicamole 3:23
16 Frowning Bagatelle 0:53



Credits

(c)2009 by Michael Peters



Notes

recorded 1996 directly to DAT
editing and final mix 2006/2007
Michael Peters - programming and realtime parameter manipulation
Matthias Ebbinghaus - live mix and controllers, editing
Walter Brühn - final mix

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Still Life - vinyl edition (double vinyl)
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Kscope Volume 1 (CD)
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Our Twilight (CD)
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