Electronica/Dance

21st Century Avant-Jazz Rock created by Lorenzo Feliciati, Pianist Roy Powell, ex-Pat Metheny trumpet player Cuong Vu and King Crimson drummer Pat Mastelotto.

'A keen musical intelligence at work.' - The Jazzmann

An intoxicating fusion of neo-folk, dark trip-hop and electronica.

A two disc (cd/dvd) release of two live sets by this typically eclectic Bill Laswell led combo, featuring Bernie Worrell, Toshinori Kondo, Guy Licata, and Dr Israel.

A digi-pack presentation.

'Somewhere between dub and ambient drum'n'bass, although both rock and dancehall stick an occasional oar in.' - The Quietus

Twice Grammy-nominated Animation (Bob Belden, Tim Hagans, Scott Kinsey, Matt Garrison, DJ Logic and Guy Licata) re-invent the 'electric Miles' breakthrough release Bitches Brew in surprising ways.

Released as a limited edition of 1000 copies and presented in a beautifully designed digi-pack, Pearl is a career-spanning two cd compilation of the music of revered electronic musician Ian Boddy.

Since the release of his first album on the cassette label Mirage in 1980, Ian Boddy has gone on to issue 23 solo and 24 collaborative albums.

Mixed into a continuous stream of music, Pearl provides a fascinating way to experience the career of an original and pioneering musician.

Based on the theme of alien abduction, the debut album from Suzanne Barbieri's Beloved Aunt offers an intriguing and enigmatic mix of atmospheres, beats and found voices.

Boldly defying easy categorisation, The Concrete Twin is a dense and dramatic instrumental outing from the former Japan legend, Mick Karn.

Laced with symphonic ambition and unexpected Jazz, Swing and Drum & Bass textures and rhythms, TCT marks yet another series of creative stylistic departures for the ever-inventive Karn.

The Resonance Association returns with the wildly eclectic, dark progressive statement of intent, Clarity In Darkness.

"... a genre hopping exploration of sounds ..."
- Terrorizer

Ian Boddy and Markus Reuter’s most challenging studio collaboration to date.

Dervish pushes beyond the usual comfort zones of electronic and ambient music. You may have heard Boddy and Reuter before but you’ve never heard them like this. Also featuring King Crimson's Pat Mastelotto.

Darkroom's latest album, Some Of These Numbers Mean Something - their 8th to date -marks the 10th anniversary of debut release, Daylight.

The original brief for the new album was, 'place guitar under microscope'. In places, it's the hardest hitting Darkroom album to date, but without doubt it's also the most accessible, combining 70's space rock, 80's Sheffield electronica, 60's guitar instrumentals and contemporary post rock.

From Santana & Tangerine Dream to Cocteau Twins & Tortoise, file under ambient stadium rock.

The 'lost' album from the UK's premier obscure electronic music collective, Globo, re-jigged and re-mastered for the 21st century.

Burning Shed CDRs are burnt to order and packaged in a stylish rubber stamped cardboard sleeve with card inlay.

A serene and melancholy Ambient excursion for Centrozoon's rhythm engine, Bernhard Woestheinrich (aka The Redundant Rocker).

Recorded in an analogue studio between 1996-1998, the music is influenced by the electronic experiments of Roger Eno and Steve Roach.

'Down On Earth' also chronicles the first collaboration between Bernhard and fellow Centrozoon conspirator, Markus Reuter.

Beats, textures and an extra-large portion of haunting Rhodes piano come together in the debut release from Key 54 (Tom Albrighton from Faceless). Moods and styles range from the ambient (‘2am’, ‘Silent fjord’) and the atmospheric (‘If there is a war’, ‘Clockwatching’) to the more upbeat and funk-fuelled (‘ Keygroove’, ‘Castell de Xátiva’).

'Failure Of The Grand Design' is The Resonance Association's debut album for Burning Shed.

Clocking in at just under 55 minutes, the album consists of nine dark and ambitious instrumentals (described by the band as being an 'ambient-techno-goth-prog crossover') , and includes a new version of live favourite 'Electrolyte'.

Echoes of Porcupine Tree, Coil, Kraftwerk, Pink Floyd, King Crimson, Sunn O))) and Neu! grace the album's powerful mixture of electronic atmospherics, soaring guitar solos and fractured motorik rhythms.

White House, Black Ash marks the 21st Century return of Pete Morgan's UXB project.

Pitched somewhere between the more evocative aspects of Moby and the brooding textures of Eno, this high quality CD-R comes with deluxe Carl Glover full-colour artwork.

Part Ambient Symphony and part breakbeat science, UXB's muse rarely lost sight of the melody.

A personal universe of languorous, watery moods and cinematic ambiences where each song is an intimate investigation of the multi-faceted emotional/sensual ties between two people. Love songs, but with darker ambiguities that make up the complexities of real relationships. Véronique 'Orange' Joly’s soaring lyricism is complemented by the music's twilight sonic scenery. Think chill-out Goldfrapp, Björk, Mandaley.

Moving from Eno-esque Ambience to post-Orb Trance this set comprises the best of Os's work over the last decade.

Nine tracks ideal for armchair or dancefloor, foreground or background music. Mixing up lo-fi dub, big beats, ambient drum ‘n’ bass and all things electronic, “Faceless” is a hypnotically beautiful DIY classic. Think early Death In Vegas or Thievery Corporation. Released in 1997.

A breezy and charming blend of trip-hop, Dream Pop and chill-out Ibiza, recalling Lovesighs-era No-Man, Air and Propellerheads, this is the third album of infectious beats and limpid melodies from the ever-wonderful Faceless duo.

Brickwall music confirms Mark Crumby (aka Binary) as an innovative electronic artist with a twisted sense of humour. Musically compared to Autechre and Aphex Twin, in places it’s haunting and melodic, in others it’s a very twisted form of metallic drum and bass.